Mark C. O'Flaherty

One of the biggest names in fashion, the design disruptor has a fresh, modern take on lots of other things as well. By Mark C O’Flaherty

This ethereal sculpture show is connecting cultures through contemporary art in AlUla

The artist may be best known for his sculpture, but a forthcoming retrospective proves his minimalist furniture was just as revolutionary.

The design powerhouse talks surfboards, interiors sculpture and free-spirited style

They sketched and stretched the bounds of male identity, says Mark C O’Flaherty of fashion’s menswear artists

Fifty years on from the first lunar landing, a new crop of designers is gazing up to the heavens for inspiration, says Mark C O’Flaherty

You’ll love the return of Wild Honey at the Sofitel London St James – but you’ll see red in the rooms

A new V&A exhibition shows how the photographer creates his surreal magic – Mark C. O'Flaherty talks to him, and his key collaborators about their unique approach to image making

Themes are taken to extremes at the new Roxbury Hotel in rural New York State

The works of Milanese architect Gio Ponti offer a bold way to explore 20th-century design in Italy.

The interior designer fashions sumptuous—and stunningly varied—environments in the world’s top hotels, restaurants and clubs.

The designers of these rarefied labels are fashion rebels with wildly individual style. Mark C O’Flaherty reports

Matthew Hilton designs furniture for The Conran Shop, SCP, Ercol and Case, and founded his eponymous London studio in association with De La Espada in 2007

The refurbished Burgh Island Hotel unashamedly plays on its Art Deco heritage – and guests love it

Knitwear designer Alex Gore Browne first fell in love with the circus when she consulted on Alexander McQueen’s fairground-themed 2001 What a Merry-Go-Round collection. She was so inspired, she then took the theme home, to Tidmington House in the Cotswolds.
"There are lots of circus elements in the rooms," she says, sitting in her kitchen, which is festooned with bright bunting.
"I love everything to do with the circus: the vintage look of it – the 1930s period in particular, the bright reds ...